Film Remakes, Sequels, Prequels and the True Nature of Capitalism
Have you ever wondered why mainstream movie-making in the last twenty years has gravitated towards remakes, sequels and prequels of previously successful movies? Why do movie studios keep on making newer version of old hits? What is purpose of making progressively inferior sequels or prequels of questionable quality? Now there are some who would say that all literature, theater and cinema is derivative (cleverly plagiarized and recycled) and there is some truth to that. But that is not what I am talking about. Let me explain my point with a few examples.
The original Star Wars and lords of the rings franchises are indeed clever rehashes of epics centered around reluctant hero trope. Furthermore, such epic stories are found across diverse cultures and eras. However reading the Odyssey, Scandinavian sagas or even the much earlier Epic of Gilgamesh does not diminish the enjoyment of watching the original star wars films or the LOTR trilogy because while they all have the same basic story structure, each one takes great effort to create and populate its own unique and self-consistent universe. Similarly modern superhero characters have more than a passing resemblance to the trans-human/semi-divine characters that populate ancient myths and stories. Yet once again, the creators of most modern superhero characters took considerable effort to make them and the worlds they inhabit as unique and richly detailed as possible.
Now contrast this level of creativity and effort to that seen (or not seen) in the Star Wars and LOTR “prequels”. Or take movie remakes- Why do most modern movie remakes and sequels suck so badly? Compare the original Robocop movie to its recent remake. Or compare the remake of Total recall to its far more innovative original version. This is not to say that every remake, prequel or sequel sucks. There are examples where the reboot was as good or better than the original such as Scarface (1983 vs 1932) or the Mummy (1999 vs 1932). Note that both examples of successful remakes mentioned in the previous sentence were quite different from the original versions. Having said that movies in which the remake, sequel or prequel are better than the original are exceptions and not the rule.
But why is that so and what does it have to do with the true nature of capitalism?
The short answer to that question is as follows- trying to relentlessly increase and optimize monetary profits from any new source of income will always kill the proverbial golden egg laying goose. The somewhat longer answer to that question requires us to first take an honest look at what capitalism (or any other materialism based -ism) is really about.
In the preceding paragraph, I hinted that the tendency of capitalism to kill golden egg laying geese is shared by other material-based ideologies (such as state communism). But why would that be so? Aren’t materialism based ideologies more “scientific” and therefore superior to other ways of looking at the world? Well.. it depends and here is why.
Materialism based (reductionist) models work best when the systems are small in size, fundamental in nature and/or tractable. So materialism based models are perfect for doing things such as predicting the motion of planets, understanding the physical nature of matter, launching artificial satellites, synthesizing some new chemical compound or designing a new engine or vehicle. Their predictive value starts to decrease as the systems become more complex or chaotic- yet they are still quite useful for understanding phenomena as diverse as biological evolution, speciation or weather systems. Reductionist models however reach the end of their usefulness when we enter the realms of complex, fundamentally unstable and adaptive systems such as human societies.
Models based in reductionism work well only as long as the fundamental components of the system and interactions between are constant, predictable and measurable. We simply cannot do that with human societies of even basic complexity. This is where reductionist thinkers make two fundamental errors.
Firstly, they try to use an external and artificial standard unit (money) to keep track of exchanges in the system. While the amounts of money exchanged might initially have some correlation to the actual value of most interactions in the system- it always reaches a point where the amounts exchanged between components in the system has little (or no) correlation to the actual value of the interactions. However the quantity and flow of money in the system are now increasingly seen as the only legitimate measure of value of anything or any person in the system. Money becomes a proxy measure for something it can no longer be accurately used to measure.
The triumph of money as the only way to measure the worth of anything results in the second type of reductionist error. The quest for more money results in the ever-increasing use of reductionist models (and thinking) to optimize interactions and actions. It is this mindset that leads to mediocre, insipid or just plain shitty movie remakes, sequels and prequels- while simultaneously starving truly innovative ideas and concepts. The people who make decisions about movie funding therefore have little interest in the quality or craft of the final product. They are principally motivated by the predicted monetary returns on their ill-gained money.
That is why capitalism, communism and all other reductionist -isms, which use artificial gameable proxy units, to model the real world ultimately end up destroying the very things that make their existence possible.
What do you think? Comments?